|
|
MEDIUM BASTARD AMBER
Enhances skin tones.
|
|
|
|
ROSE PINK
Cycloramas. Good strong wash.
|
|
|
|
LAVENDER TINT
Cool Studio Wash.
|
|
|
|
DOUBLE CT BLUE
Converts tungsten 2800°k to 10,000°k. |
|
|
|
3/4 CT BLUE
Converts tungsten 3200°k to daylight 5000°k.
|
|
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|
FULL CT BLUE
Converts tungsten 3200°k to photographic daylight 5700°k. |
|
|
|
HALF CT BLUE
Converts tungsten 3200°k to daylight 4300°k. |
|
|
|
QUARTER CT BLUE
Converts tungsten 3200°k to daylight 3600°k. |
|
|
|
EIGHTH CT BLUE
Converts tungsten 3200°k to daylight 3400°k. |
|
|
|
FULL CT ORANGE
Converts daylight 5600°k to tungsten 3200°k. |
|
|
|
3/4 CT ORANGE
Converts daylight 5600°k to tungsten 3650°k. |
|
|
|
HALF CT ORANGE
Converts daylight 5600°k to tungsten 3800°k. |
|
|
|
QUARTER CT ORANGE
Converts daylight 5600°k to tungsten 4600°k. |
|
|
|
EIGHTH CT ORANGE
Converts daylight 5600°k to tungsten 5550°k. |
|
|
|
FULL CT STRAW
Converts daylight to 3200°k, yellow bias. |
|
|
|
HALF CT STRAW
Converts daylight to 3800°k, yellow bias. |
|
|
|
QUARTER CT STRAW
Converts daylight to 4600°k, yellow bias. |
|
|
|
EIGHTH CT STRAW
Converts daylight to 5300°k, yellow bias. |
|
|
|
FULL CT ORANGE + .3ND
As CTO and reduces light 1 stop. |
|
|
|
FULL CT ORANGE + .6ND
As CTO and reduces light 2 stops. |
|
|
|
.15ND
Reduces light 1⁄2 stop. |
|
|
|
.3ND
Reduces light 1 stop. |
|
|
|
.6ND
Reduces light 2 stops. |
|
|
|
.9ND
Reduces light 3 stops. |
|
|
|
1.2ND
Reduces light 4 stops. |
|
|
|
LCT YELLOW
Reduces Kelvin rating of low colour temperature carbons to 3200°k. |
|
|
|
WHITE FLAME GREEN
Corrects white flame carbons by absorbing ultra violet. |
|
|
|
UV
Strongly absorbs ultra violet energy. |
|
|
|
HMI TO TUNGSTEN
Converts HMI to tungsten. |
|
|
|
FLUORESCENT GREEN
Converts tungsten to fluorescent light. (Used in conjunction with camera correction filter). |
|
|
|
FLUORESCENT 5700k
Converts tungsten to fluorescent light near 5700°k. |
|
|
|
FLUORESCENT 4300k
Converts tungsten to fluorescent light near 4300°k. |
|
|
|
FLUORESCENT 3600k
Converts tungsten to fluorescent light near 3600°k. |
|
|
|
FULL PLUS GREEN
Adds green when balancing tungsten to fluorescent. |
|
|
|
HALF PLUS GREEN
Adds green when balancing tungsten to fluorescent. |
|
|
|
QUARTER PLUS GREEN
Adds green when balancing tungsten to fluorescent. |
|
|
|
EIGHTH PLUS GREEN
Adds green when balancing tungsten to fluorescent. |
|
|
|
FULL MINUS GREEN
Reduces green from fluorescent and discharge lamps. |
|
|
|
HALF MINUS GREEN
Reduces green from fluorescent and discharge lamps. |
|
|
|
QUARTER MINUS GREEN
Reduces green from fluorescent and discharge lamps. |
|
|
|
EIGHTH MINUS GREEN
Reduces green from fluorescent and discharge lamps. |
|
|
|
MEDIUM BASTARD AMBER
Enhances skin tones. |
|
|
|
MEDIUM YELLOW
Daylight effects. |
|
|
|
PALE YELLOW
Sunlight effect |
|
|
|
HEAVY FROST
Used for soft light effect 75 micron base. |
|
|
|
WHITE DIFFUSION
Used for soft light effect 50 micron base. (Also available 25’ x 60” rolls). |
|
|
|
BLUE DIFFUSION
Increases colour temperature. Used for soft light effect 50 micron base. |
|
|
|
WHITE FROST
Used for soft light effect. |
|
|
|
BLUE FROST
Increases colour temperature slightly. Used for soft light effect. |
|
|
|
DAYLIGHT BLUE FROST
Combination of Heavy Frost and Full CTB. |
|
|
|
NEUTRAL DENSITY FROST
Combination of Heavy Frost and Neutral Density. 2 stops total. |
|
|
|
BRUSHED SILK
Used for directional control. |
|
|
|
LIGHT SILK
Half density Silk. |
|
|
|
HALF WHITE DIFFUSION
Used for soft light effect. |
|
|
|
QUARTER WHITE DIFFUSION
Used for soft light effect. |
|
|
|
EIGHTH WHITE DIFFUSION
Used for soft light effect. |
|
|
|
HAMMERSMITH FROST
Used for soft light effect. |
|
|
|
HOLLYWOOD FROST
Used for soft light effect. |
|
|
|
1/4 TOUGH SPUN
Softens Light reduces intensity by 1/4 stop |
|
|
|
HALF HAMMERSMITH FROST
Used for soft light effect. |
|
|
|
1/4 HAMMERSMITH FROST
Used for soft light effect. |
|
|
|
LIGHT ROLUX
Half density Rolux. |
|
|
|
|
3/4 WHITE DIFFUSION
Fine step of control of the 216 series. |
|
|
|
LIGHT OPAL FROST
Lighter version of 410. |
|
|
|
3/8 WHITE DIFFUSION
Fine step of control of the 216 series. |
|
|
|
1/16 WHITE DIFFUSION
The least dense of this series. |
|
|
|
SPECIAL MEDIUM BLUE B
Cool moonlight, mood effects. |
|
|
|
FROST
Used for soft light effect. 75 micron base. Also available 25in x 60 ft rolls. |
|
|
|
SOFT FROST
7.62m x 1.22m
Flexible PVC based diffusion. |
|
|
|
1/2 SOFT FROST
7.62 x 1.22m - Flexible PVC based diffusion. |
|
|
|
SILENT FROST
7.62m x 1.22m - Quiet for location. |
|
|
|
GRID CLOTH
7.62m x 1.22m - A series of tough diffusions. |
|
|
|
3/4 TOUGH SPUN
Softens Light reduces intensity by 3/4 stop. |
|
|
|
1/4 GRID CLOTH
7.62m x 1.22m - A series of tough diffusions. |
|
|
|
PALE YELLOW
Daylight skin tones. |
|
|
|
PALE AMBER GOLD
Evening light.
|
|
|
|
1/4 FROST
used for soft lighting effects 36 micron. |
|
|
|
STRAW TINT
Soft daylight effect.
|
|
|
|
DEEP STRAW
Backlight effect.
|
|
|
|
|
MEDIUM AMBER
Late evening light.
|
|
|
|
GOLD AMBER
Sunset effect.
|
|
|
|
DARK AMBER
Backlight effect.
|
|
|
|
|
|
|
LIGHT PINK
Warming effect.
|
|
|
|
MEDIUM PINK
Front light effect.
|
|
|
|
DARK MAGENTA
Back light effect.
|
|
|
|
ROSE PURPLE
Cycloramas, disco lighting.
|
|
|
|
LIGHT LAVENDER
Front light effect.
|
|
|
|
PALE LAVENDER
Cooling effect.
|
|
|
|
LAVENDER
Back light effect.
|
|
|
|
MIST BLUE
Evening cool wash.
|
|
|
|
|
|
DEEPER BLUE
Back light effect: moonlight.
|
|
|
|
MOSS GREEN
Light woodland effect.
|
|
|
|
DARK YELLOW GREEN
Strong woodland effect.
|
|
|
|
PEACOCK BLUE
Cycloramas: cool back light.
|
|
|
|
MEDIUM BLUE GREEN
Set lighting.
|
|
|
|
DARK BLUE
Strong moonlight, nightclub lighting.
|
|
|
|
|
MEDIUM BLUE
Set lighting: cycloramas.
|
|
|
|
|
CONGO BLUE
Back light: studio effect.
|
|
|
|
ZENITH BLUE
Cycloramas: dark moonlight.
|
|
|
|
ALICE BLUE
Cycloramas: light moonlight.
|
|
|
|
SPECIAL MEDIUM BLUE
Soft moonlight.
|
|
|
|
3D GLASSES
3 specially developed pairs of colours for incorporating
into a range of 3D Glasses |
|
|
|
LIGHT GRID CLOTH
1.22m x 7.62m - A series of tough diffusions. |
|
|
|
BLUE DIFFUSION
Increases colour temperature. Used for soft light effect 50 micron base. |
|
|
|
DARK SALMON
Sunsets and ballroom sets.
|
|
|
|
PALE AMBER GOLD
Warm amber for candlelight.
|
|
|
|
MEDIUM YELLOW
A very bright yellow.
|
|
|
|
STRAW TINT
Good sunlight effect.
|
|
|
|
DEEP STRAW
Warm amber, useful fire effect.
|
|
|
|
SURPRISE PEACH
Good for skin tones.
|
|
|
|
|
MEDIUM AMBER
Candlelight and afternoon sunlight.
|
|
|
|
GOLD AMBER
Fire effects, sunsets and cyclorama.
|
|
|
|
DARK AMBER
Good backlight.
|
|
|
|
SCARLET
Fire effects, ballrooms and pantomines.
|
|
|
|
SUNSET RED
Warm stage wash.
|
|
|
|
BRIGHT RED
Effective primary for cycloramas.
|
|
|
|
MEDIUM RED
Deep primary for colour mixing.
|
|
|
|
LIGHT PINK
Warm wash. Musical reviews.
|
|
|
|
MEDIUM PINK
Side lighting and washes.
|
|
|
|
PINK CARNATION
Cool pastel pink.
|
|
|
|
DARK MAGENTA
Very strong pink.
|
|
|
|
ROSE PURPLE
Great backlight, simulates evening.
|
|
|
|
MEDIUM PURPLE
Strong colour for pantomimes.
|
|
|
|
LIGHT LAVENDER
Excellent backlight and followspot colour.
|
|
|
|
LAVENDER
An excellent backlight.
|
|
|
|
MIST BLUE
Cool wash for night scenes.
|
|
|
|
PALE BLUE
Cool overcast cold weather look.
|
|
|
|
|
EVENING BLUE
Great cyclorama blue.
|
|
|
|
JUST BLUE
Great deep colour for cyclorama.
|
|
|
|
LIME GREEN
Slightly sinister. Good for pantomine.
|
|
|
|
MOSS GREEN
A light primary. Good foliage.
|
|
|
|
DARK YELLOW GREEN
Highlighting for forest effects.
|
|
|
|
SPRING YELLOW
Sunlight Wash.
|
|
|
|
YELLOW
Sunlight and window effects. Pleasant in acting area.
|
|
|
|
LIGHT AMBER
Lamplight and dawn sun effects. Pleasant in acting area.
|
|
|
|
STRAW
Pale sunlight through window. Warm winter effect.
|
|
|
|
DEEP AMBER
Good for sunlight effects and accents.
|
|
|
|
ORANGE
Light entertainment colour.
|
|
|
|
|
LIGHT ROSE
Mood effect on backing. Back lighting of floor.
|
|
|
|
ENGLISH ROSE
Enhances warm skin tones.
|
|
|
|
LIGHT SALMON
Warm and interesting back lighting.
|
|
|
|
MIDDLE ROSE
Pleasing effect for theatrical lighting.
|
|
|
|
DARK PINK
Good for cycloramas.
|
|
|
|
MAGENTA
Very strong. Use carefully for small area.
|
|
|
|
PEACOCK BLUE
Pleasing effect on cyclorama cloth back light for ice rinks, etc.
|
|
|
|
MEDIUM BLUE GREEN
Pleasing effect for theatrical lighting.
|
|
|
|
STEEL BLUE
Night effect on sets. Adds pale green tint.
|
|
|
|
LIGHT BLUE
Strong night effect.
|
|
|
|
DARK BLUE
Mood effect for jazz clubs, back projection.
|
|
|
|
DEEP BLUE
Pleasing for theatrical lighting.
|
|
|
|
JAMES GREEN
Cycloramas: dense foliage effect.
|
|
|
|
FERN GREEN
Cycloramas: good for mood effect.
|
|
|
|
DARK GREEN
Cycloramas: good for back lighting.
|
|
|
|
MAUVE
Cycloramas: good for back lighting, adds mood.
|
|
|
|
SMOKEY PINK
Cycloramas: set lighting and disco.
|
|
|
|
BRIGHT PINK
Cycloramas: good for back lighting, great for musicals.
|
|
|
|
CLEAR
For animation and projection work.
|
|
|
|
MEDIUM BLUE
Set lighting: travelling matt blue.
|
|
|
|
GOLDEN AMBER
Late in the day sunset.
|
|
|
|
DEEP GOLDEN AMBER
Fire effect.
|
|
|
|
PALE LAVENDER
Pantomime, ballroom sets.
|
|
|
|
SPECIAL LAVENDER
Set lighting.
|
|
|
|
PALE GREEN
Set lighting. Good for woodland scenes.
|
|
|
|
PRIMARY GREEN
Set lighting and cycloramas.
|
|
|
|
SUMMER BLUE
Light midday sky.
|
|
|
|
BRIGHT BLUE
Dramatic moonlight effects.
|
|
|
|
PALE VIOLET
Moonlight and cycloramas.
|
|
|
|
PALE NAVY BLUE
Moonlight. Night cyclorama.
|
|
|
|
NO COLOUR BLUE
Clean blue with hint of green.
|
|
|
|
APRICOT
Pleasing effect for theatrical lighting. Lamplight.
|
|
|
|
BRIGHT ROSE
Set lighting. Fire effects.
|
|
|
|
GOLD TINT
Pleasing effect for theatrical lighting.
|
|
|
|
PALE GOLD
Enhances flesh tones.
|
|
|
|
PALE SALMON
Back lighting. Combines well with white light.
|
|
|
|
PALE ROSE
Pleasing effect for theatrical lighting.
|
|
|
|
CHOCOLATE
Reduces intensity and warms light.
|
|
|
|
PINK
Useful for softening white without affecting skin tones.
|
|
|
|
|
NO COLOUR STRAW
Warm effect. Sunlight.
|
|
|
|
SLATE BLUE
Pure medium blue.
|
|
|
|
BASTARD AMBER
Warm white wash and lamplight.
|
|
|
|
FLAME RED
Special effects and fire effect.
|
|
|
|
DAYLIGHT BLUE
Key light for moonlight effect.
|
|
|
|
PALE RED
Good for light entertainment.
|
|
|
|
LILAC TINT
Very pale lavender.
|
|
|
|
DEEP LAVENDER
Set lighting for discos and theatres.
|
|
|
|
LAGOON BLUE
Deep water effect. Warm wash and ballet.
|
|
|
|
DARK STEEL BLUE
Set lighting. Creates good moonlight shadows.
|
|
|
|
LOVING AMBER
Great for sunrise. Warms skintones.
|
|
|
|
|
DARK LAVENDER
Pleasing effect for theatrical and backlighting.
|
|
|
|
CONGO BLUE
Very saturated deep blue.
|
|
|
|
LIGHT RED
Theatre and television effect lighting and cycloramas.
|
|
|
|
MOONLIGHT BLUE
Theatre and television moonlight.
|
|
|
|
COSMETIC PEACH
Pale tint complementary to key lighting.
|
|
|
|
COSMETIC BURGUNDY
Pale tint complementary to key lighting.
|
|
|
|
COSMETIC SILVER ROSE
Pale tint complementary to key lighting.
|
|
|
|
COSMETIC ROUGE
Pale tint complementary to key lighting.
|
|
|
|
COSMETIC HIGHLIGHT
Pale tint complementary to key lighting.
|
|
|
|
COSMETIC SILVER MOSS
Pale tint complementary to key lighting.
|
|
|
|
COSMETIC EMERALD
Pale tint complementary to key lighting.
|
|
|
|
COSMETIC AQUA BLUE
Pale tint complementary to key lighting.
|
|
|
|
FLESH PINK
Musicals and pantomimes.
|
|
|
|
ROSY AMBER
Good general wash, particularly in blue combination.
|
|
|
|
SURPRISE PINK
Night effect with good clarity.
|
|
|
|
ZENITH BLUE
Deep, rich blue for back lighting and effects. Moonlight.
|
|
|
|
TRUE BLUE
Good for creating sky colours, particularly on cycloramas.
|
|
|
|
ALICE BLUE
Deeper than 196, good for cycloramas and effects.
|
|
|
|
PALACE BLUE
Dark moonlight. Romantic evening.
|
|
|
|
PALE GOLD
Enhances skin tones.
|
|
|
|
MEDIUM LEMON
Strong yellow, a hint of green.
|
|
|
|
MEDIUM STRAW
A warm winter sun effect.
|
|
|
|
SPECIAL STRAW
Deeper than 308, good TV set colour.
|
|
|
|
|
SPECIAL LIGHT AMBER
Close to half 105 Orange.
|
|
|
|
SPECIAL GOLDEN AMBER
Deeper than 313.
|
|
|
|
DARK AMBER
Deeper than 313 and 315, similar tone.
|
|
|
|
LIGHT RED
Good primary for cycloramas.
|
|
|
|
SOFT GREEN
Cool green for pantomines.
|
|
|
|
|
MALLARD GREEN
Good mood setter. Dark foliage.
|
|
|
|
FOREST GREEN
Deep green. Dark forest scenes.
|
|
|
|
FOLLIES PINK
Dramatic pink with blue tones.
|
|
|
|
ROSE PINK
Pantomines: light entertainment.
|
|
|
|
ROSE PURPLE
Disco. Musical revues.
|
|
|
|
SURPRISE LAVENDER
Pale lavender but rich in red.
|
|
|
|
PLUM
Romantic and atmospheric.
|
|
|
|
SPECIAL LAVENDER
Very pale with a kick of red.
|
|
|
|
MEDIUM LAVENDER
Backlighting. TV special effects.
|
|
|
|
VIOLET
Romantic effects. Good skin tones.
|
|
|
|
FUCHSIA PINK
Sultry scenes in review and pantomimes.
|
|
|
|
PALE BLUE
Pale blue green.
|
|
|
|
NO COLOUR BLUE
A cold blue.
|
|
|
|
GLACIER BLUE
A cold blue. Cool atmospheric look.
|
|
|
|
MIDDLE BLUE
Daylight effect.
|
|
|
|
SPECIAL STEEL BLUE
Cool blue, green wash.
|
|
|
|
SPECIAL MEDIUM BLUE A
Cold blue, almost no red content.
|
|
|
|
BRIGHT BLUE
A very cool blue.
|
|
|
|
CORNFLOWER
Pale moonlight.
|
|
|
|
LIGHT GREEN
Efficient cyclorama colour.
|
|
|
|
YELLOW GREEN
Darker alternative to 138 Pale Green.
|
|
|
|
LIGHT GREEN BLUE
Pleasing green-blue for effects lighting.
|
|
|
|
PROVENCE
Lavender flower colouration.
|
|
|
|
SPECIAL PALE LAVENDER
Cool lavender, warming with fade.
|
|
|
|
LILY
Cool lavender, a little warmer than 702.
|
|
|
|
LILY FROST
Slightly frosted than 704.
|
|
|
|
ULTIMATE VIOLET
Good for musicals.
|
|
|
|
COOL LAVENDER
Appears cool but with some yellow element.
|
|
|
|
ELECTRIC LILAC
A warm lavender.
|
|
|
|
COLD BLUE
Good to relate tungsten light to HMI.
|
|
|
|
BEDFORD BLUE
A good warm blue.
|
|
|
|
J. WINTER BLUE
Very deep low transmission blue.
|
|
|
|
ELYSIAN BLUE
A variation of Alice Blue.
|
|
|
|
CABANA BLUE
Very deep blue, but higher transmission than 713.
|
|
|
|
MIKKEL BLUE
Deep blue but slight hint of red.
|
|
|
|
SHANKLIN FROST
A lightly frosted CTB.
|
|
|
|
HALF SHANKLIN FROST
A lightly frosted 1⁄2 CTB
|
|
|
|
COLOUR WASH BLUE
High transmission blue.
|
|
|
|
DURHAM DAYLIGHT FROST
A lightly frost pale blue.
|
|
|
|
BERRY BLUE
Good set lighting - almost no red content.
|
|
|
|
BRAY BLUE
Even colder blue than 721.
|
|
|
|
VIRGIN BLUE
A balanced blue with a hint of red and green.
|
|
|
|
OCEAN BLUE
Light blue with green - good moonlight.
|
|
|
|
OLD STEEL BLUE
Good cool wash.
|
|
|
|
QFD BLUE
Dark blue with green tones - for hint of foliage at night.
|
|
|
|
STEEL GREEN
Stormy sinister green.
|
|
|
|
SCUBA BLUE
Blue green for musicals and colour wash.
|
|
|
|
LIBERTY GREEN
Mysterious and green for suspense.
|
|
|
|
VELVET GREEN
A real night green, portrays melodrama.
|
|
|
|
TWICKENHAM GREEN
Excellent green for music and light entertainment.
|
|
|
|
JAS GREEN
Strong green - good stage green yellow wash.
|
|
|
|
AURORA BOREALIS GREEN
Unusual green yellow, no red content.
|
|
|
|
MUSTARD YELLOW
Takes out blue and red, gives imitation sodium.
|
|
|
|
DIRTY WHITE
Warms daylight to near tungsten.
|
|
|
|
BROWN
A dark chocolate for a murky look.
|
|
|
|
EASY WHITE
Warm filter for cool fluorescents.
|
|
|
|
SEEDY PINK
Dusky pink, warms pale skin tones.
|
|
|
|
HANOVER ROSE
Flesh tone 154 with frost.
|
|
|
|
BOSTON FROST
A very soft frost.
|
|
|
|
|
SUN COLOUR STRAW
Bright sunlight warmth.
|
|
|
|
CJ YELLOW
Strong sunlight, but not harsh.
|
|
|
|
OKLAHOMA YELLOW
Warm yellow sun plus amber.
|
|
|
|
BURNT YELLOW
A warm yellow for television.
|
|
|
|
CARDBOX AMBER
Warms skin tones.
|
|
|
|
SOFT AMBER KEY 1
A warm key coloured frost.
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SOFT AMBER KEY 2
A warm key coloured frost.
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NECTARINE
Sunset, romantic feel.
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RUST
Truly bright rust colour.
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MILLENNIUM GOLD
A rich amber on tungsten sources.
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BASTARD PINK
Low sun, good on dark skin tones.
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TERRY RED
Vivid red with amber, good for cycs.
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MARIUS RED
A spectacular deep red.
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BLOOD RED
Deep low transmission red.
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MOROCCAN PINK
Light late afternoon feel pink.
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MOROCCAN FROST
Frosted light Amber, smoothes PARs.
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VANITY FAIR
Exotic pink with blue content.
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PRETTY ‘N PINK
Soft warm pink effects.
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MAGICAL MAGENTA
A rich red with enhanced red and pink tones.
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DEEP PURPLE
Musicals and light entertainment washes.
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CHRYSALIS PINK
Deep lavender with a hint of rose.
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SPECIAL KH LAVENDER
Deep lavender, helps simulate U.V.
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PLASA RED
Fire effects, musicals. |
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SKY BLUE
Nightsky, cyclorama colour. |
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DEEPER BLUE
Very deep warm blue. |
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KING FALS LAVENDER
A very cold lavender. |
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SPIR SPECIAL BLUE
A cold industrial blue with a hint of red. |
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EIGHTH CT STRAW
Converts daylight to 5300°k, yellow bias. |
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SUPER WHITE FLAME
Converts white flame arc to tungsten 3200°k. |
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CID TO TUNGSTEN
Converts CID to tungsten. |
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CSI TO TUNGSTEN
Converts CSI to tungsten. |
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TOUGH ROLUX
7.62m x 1.22m - Very dense diffusion. |
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1/8 HAMMERSMITH FROST
Used for soft light effect |
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FULL TOUGH SPUN
Softens Light reduces intensity by 1 stop. |
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1/2 TOUGH SPUN
Softens Light reduces intensity by 1/2 stop |
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1/2 FROST
used for soft lighting effects 50 micron. |
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SILENT GRID CLOTH
Rolls only 7.62m x 1.53m |
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1/2 SILENT GRID CLOTH
Rolls only 7.62m x 1.53m |
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1/4 SILENT GRID CLOTH
Rolls only 7.62m x 1.53m |
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